May 13 Monday
3:00-9:00 Registration
1:00-4:00 Preconference in Room 9204
4:30-6:00 Panel 1 in Room 9205
Chair: Mara Valderrama
Taylor Black. NYU
Just a Robot Keeping it Real: Fiction and Authenticity in Instagram Corporate Performance.
So-Rim Lee. Columbia University
From Boyfriend to Roleplays to Virtual Surgeries: Korean ASMRtists Perform for Tingles and Digital Intimacy.
sair goetz.
Voice Euphoria Hour
6:00-6:30 Break
6:30-7:00 Introductory Remarks by professor Edward Miller. Segal Theatre.
7:30 Performance – Edda Sickinger “Urban Touch.” Segal Theatre.
8:30 Reception in the Green Room (3111)
May 14 Tuesday
SCREENINGS ALL DAY in room 5409
8:30 to 4 pm Registration
8:30-9:00 Morning Coffee (Break room, 5409)
9:00-10:30 Panel 2 in room 9204
Chair: Curtis Russell
Jisun Kim. Yale University
The Aesthetics of Storytelling Medium: Drama, Novel, and Film.
Elyse Singer. The Graduate Center, CUNY
Ophelia on the VR Stream: Performing Mad Scenes in New Media.
Stephanie Lim. University of California, Irvine
Finding a Formula for On-Screen Success: Live TV Musicals’ Experimentations in Liveness, Unpredictability, and Nostalgia.
10:30-11:00 Coffee (Break room, 5409)
11:00-12:30. Panel 3 in room 9204
Chair: Christine Snyder
Andrew Zuliani. NYU
Screening the Book: “Kubla Khan” and materiality deferred.
Juliana Fadil-Luchkiw. NYU Gallatin School of Individualized Study
Dragged into It: Making Kin with Cthulhu
Paula Vilaplana. Columbia University
Screening Teleplasms: The Female Body as a Proto-Cinematic Device.
12:30-1:30 Lunch (provided in the break room – 5409)
1:30-3:30 Performances at the Segal Theatre
Ashley Marinaccio. The Graduate Center, CUNY
18 Years Later: Voices of Post-9/11
Paulina Olivares
Ni Aquí, Ni Allá (Neither Here, Nor There)
Clareese Hill
The Hyper Present. The Manipulation of Time and Space
Michael Harrington and K.B.Thors
Running Lines: Screening on the Casting Couch
Carrie Sijia Wang
The System
3:30-4:00 Coffee break
4:00-5:30 Panel 4 in room 9204
Chair: Kyueun Kim
Sareh Z. Afshar. NYU
The Performance of Unvisibility in Postrevolutionary Iran: Martyrdom on Display an Self-Surveillance in the Age of Necropticism.
Emma Humphris. Stanford University
Subjective Evidence Based Ethnography (SEBE): the role of technology in performance
ethnography.
Jumoke Adeyanju
{{{thirdspace(d)out}}} – A journey to the in-between through poetry, dance, music and visual art.
5:30-7:30 Dinner break
7:30 Keynote by professor Sarah Bay-Cheng at the James Gallery
8:30 Reception at the Archive (36 street)